The Neuer Saal is on the top floor of the GMPU Concert House. Mießtaler Str. 8, 9020 Klagenfurt
Listening to a Muslim Diva, Listening to the Master Narrator: Arriving at Singing Through the Spoken Voice
Mersid Ramičević
Artivistic Listening. How Listening of Improvised Music Performance Can Re-Shape Our Ecology
Leonardo Barbierato
Doing Nothing as Transcultural Listening Practice
Jeremy Woodruff
(un)Romantic
Live Maria Roggen, Ingfrid Breie Nyhus
Dispositions of Being-With: Articulations Within a Diverse Concert Audience
Kelvin King Fung Ng
The Polyphony of Contemplative Practice
Jakob Stillmark
Beyond the Unnecessary Self
Henrik Frisk
Listening to Hope Labourers
Edith Kollath, Anne Brannys
How to Facilitate Careful Listening and Non-Coercive Participation in Artistic Research? LED Tickers and Love Letter Writing as Research Tools
Joonas Lahtinen
Listening as a Way of Not Yet Knowing
Trond Lossius
Talking House. Architectural Models for Shared Spaces
Hinnerk Utermann
The Witness Openlab – Worlding Through Socially Engaged Art Practice in Basel. Deep Listening Practices as Open Paths to Collaboration and Community-Building in an Academic Learning Environment
Iulia-Andreea Smeu, Isabelle Meraner
Mind Wandering During Lectures
Magda Stanová
tír-éist – landlisten
Shane Finan
Opening
Felipe Steinberg
Simultaneous Arrivals
Nayarí Castillo, Shane Finan, Franziska Hederer, Daniele Pozzi, Charlotta Ruth, Hanns Holger Rutz, Fulya Uçanok
Expanding Artistic Dimensions of Conducting. Listening Actions to Create, Explore and Connect
Halldis Rønning
Navel, Ear of God. Decolonial Listening and Situated Making
Sophie Fetokaki
Braced Under the Heating Sun: Embodied Listening Practices
Melissa Anne Ryke
Soft Letting of Language - Listening for Emergent Wor(l)ds
Emma Cocker
Extended Listening and Its Role in Shaping Compositional Tools. A Few Remarks on the Exploration of Connections Between Auditory, Visual, Tactile and Kinesthetic Modes of Perception
Jagoda Szmytka
The Enchanted Forest: Exploring the Development of Relationships in Artistic Collaborations That Combine Individual and Collective Creative Practices
Birgitta Flick
Tending Towards Each Other: Between Breath and Inscription
Thais Akina Yoshitake Lopez
The Big Resonators and Earpieces. Dealing with New Perceptions and Gestures
Eléonore Bak
Bodies in Resonating Action: Strategies of Initiating Collaborative Creative Work
Faidra Chafta Douka
Listening to the Sounds of War. Or How to Make Opera in Museums During Wartime
Illia Razumeiko
Re-Voicing the Text. A Collective Practice of Vocal Improvisation
Miriana Faieta
Passive Listening: Exploring Interpassivity in Ambient Music
David Chechelashvili, Alan Brown
Becoming Soundscape. Listening, Perceiving and Acting
Max Spielmann, Andrea Iten, Catherine Walthard, Daniel Hug